Translated by Constance Garnett with an Introduction and Notes by Dr Keith Carabine, University of Kent at Canterbury. Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder. From that moment on, we share his conflicting feelings of self-loathing and pride, of contempt for and need of others, and of terrible despair and hope of redemption: and, in a remarkable transformation of the detective novel, we follow his agonised efforts to probe and confront both his own motives for, and the consequences of, his crime. The result is a tragic novel built out of a series of supremely dramatic scenes that illuminate the eternal conflicts at the heart of human existence: most especially our desire for self-expression and self-fulfilment, as against the constraints of morality and human laws; and our agonised awareness of the world's harsh injustices and of our own mortality, as against the mysteries of divine justice and immortality.

This is an official tie-in edition to accompany Richard Ayoade's brilliant new film based on Dostoyevsky's deliciously dark and slyly funny novel. The Double stars Oscar nominee Jesse Eisenberg (The Social Network) and Mia Wasikowska (Jane Eyre) with support from Chris O'Dowd, Sally Hawkins, Paddy Considine, Tim Key and Chris Morris. A lonely government clerk - shy, awkward, blundering - finds himself pursued by a mysterious stranger. Somehow he looks familiar. In fact, he realizes, he looks exactly like him. He even has the same name. But, unlike him, he is charming and confident. Soon the stranger starts insinuating himself into his life. He works at his office, stays at his apartment, ingratiates himself with his colleagues. No one seems surprised. Who is he? What does he want? Is he a double, or something darker altogether? Moscow-born Fyodor Dostoyevsky (1821-1881) served time in a convict prison in Siberia for his political alliances, and in his later years his passion for gambling led him deeply into debt. His many brilliant novels include Crime and Punishment, The Idiot and The Brothers Karamazov. Ronald Wilks has translated numerous Russian volumes for Penguin Classics, including works by Chekhov, Sologub, Tolstoy and Gogol. If you enjoy this novel, you may want to read more by Dostoyevsky - his major novels and stories are all available in Penguin Classics, including Notes from Underground, Crime and Punishment, The Gambler and Other Stories, The Idiot, Demons, Netochka Nezvanova, The Brothers Karamazov, Poor Folk and Other Stories, The House of the Dead and The Village of Stepanchikovo.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Regarded as one of world literature's foremost novelists, Fyodor Dostoevsky's short stories are also some of the best ever written. 'White Nights' tells of love and loss on the streets of St. Petersburg, 'A Nasty Business' presents the hilarious tale of a general dropping in on the wedding of a subordinate, while 'The Meek One' is an existentialist tale of marriage and tragedy.

'My God! A whole minute of bliss! Is that really so little for the whole of a man's life?' A poignant tale of love and loneliness from Russia's foremost writer. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

Fifty-two readings on living in intentional Christian community to spark group discussion. Gold Medal Winner, 2017 Illumination Book Awards, Christian Living Silver Medal Winner, 2017 Benjamin Franklin Award in Religion, Independent Book Publishers Association Why, in an age of connectivity, are our lives more isolated and fragmented than ever? And what can be done about it? The answer lies in the hands of God’s people. Increasingly, today’s Christians want to be the church, to follow Christ together in daily life. From every corner of society, they are daring to step away from the status quo and respond to Christ’s call to share their lives more fully with one another and with others. As they take the plunge, they are discovering the rich, meaningful life that Jesus has in mind for all people, and pointing the church back to its original calling: to be a gathered, united community that demonstrates the transforming love of God. Of course, such a life together with others isn’t easy. The selections in this volume are, by and large, written by practitioners—people who have pioneered life in intentional community and have discovered in the nitty-gritty of daily life what it takes to establish, nurture, and sustain a Christian community over the long haul. Whether you have just begun thinking about communal living, are already embarking on sharing life with others, or have been part of a community for many years, the pieces in this collection will encourage, challenge, and strengthen you. The book’s fifty-two chapters can be read one a week to ignite meaningful group discussion. Contributors include: John F. Alexander, Eberhard Arnold, J. Heinrich Arnold, Johann Christoph Arnold, Alden Bass, Benedict of Nursia, Christoph Friedrich Blumhardt, Leonardo Boff, Dietrich Bonhoeffer, Joan Chittister, Stephen B. Clark, Andy Crouch, Dorothy Day, Anthony de Mello, Elizabeth Dede, Catherine de Hueck Doherty, Fyodor Dostoyevsky, Jenny Duckworth, Friedrich Foerster, Richard J. Foster, Jodi Garbison, Arthur G. Gish, Helmut Gollwitzer, Adele J Gonzalez, Stanley Hauerwas, Joseph H. Hellerman, Roy Hession, David Janzen, Rufus Jones, Emmanuel Katongole, Arthur Katz, Søren Kierkegaard, C. Norman Kraus, C.S. Lewis, Gerhard Lohfink, Ed Loring, Chiara Lubich, George MacDonald, Thomas Merton, Hal Miller, José P. Miranda, Jürgen Moltmann, Charles E. Moore, Henri J. M. Nouwen, Elizabeth O’Connor, John M. Perkins, Eugene H.Peterson, Christine D. Pohl, Chris Rice, Basilea Schlink, Howard A. Snyder, Mother Teresa, Thomas à Kempis, Elton Trueblood, and Jonathan Wilson-Hartgrove.

The short works of Dostoevsky exist in the very large shadow of his astonishing longer novels, but they too are among literature's most revered works and offer keys to understanding the themes in his longer works. Contained in this volume are the short stories "White Nights," "A Disgraceful Affair," and "The Dream of the Ridiculous Man," three of Dostoevsky's most troubling, moving, and poignant works.

Alongside A DISGRACEFUL AFFAIR, Harper Perennial will publish the short fiction of Stephen Crane, Herman Melville, Willa Cather, Leo Tolstoy, and Oscar Wilde to be packaged in a beautifully designed, boldly colorful boxset in the aim to attract contemporary fans of short fiction to these revered masters of the form. Also, in each of these selections will appear a story from one of the new collections being published in 2009. A story from Barb Johnson's forthcoming collection will be printed at the back of this volume.

Completed only two months before his death, "The Brothers Karamazov" is Dostoyevsky's largest, most expanisve, most life-embracing work. Filled with human passions--lust, greed, love, jealousy, sorrow and humor--the book is also infused with moral issues and the issue of collective guilt. As in many of Dostoyevsky's novels, the plot centers on a murder. Sucked into the crime's vortex are three brothers: Dmitri, a young officer utterly unrestrained in love, hatred, jealousy, and generosity; Ivan, an intellectual capable of delivering, impromptu, the most brilliant, lively, and unforgettable disquisitions about good and evil, God, and the devil; and Alyosha, the youngest brother, preternaturally patient, good, and loving.
Part mystery, part profound philosophical and theological debate, "The Brothers Karamazov "pulls the reader in on many different levels. As the Introduction says, "The characters Dostoyevsky writes about, though they may not appear to be ones who live on our street, or even on any street, seem, in their passions and lack of self-control, the familiar and intimate denizens of our souls." It's no wonder that for many people "The Brothers Karamazov "is one of the greatest novels ever written.

'I could see that she was still terribly afraid, but I didn't soften anything; instead, seeing that she was afraid I deliberately intensified it.' In this short story, Dostoyevsky masterfully depicts desperation, greed, manipulation and suicide. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Fyodor Dostoyevsky (1821-1881). Dostoyevsky's works available in Penguin Classics are Crime and Punishment, The Idiot, The Double, The Gambler and Other Stories, The Grand Inquisitor, Notes From The Underground, Netochka Nezvanova, The House of The Dead, The Brothers Karamazov and The Village of Stepanchikovo.

Darkly fascinating short novel depicts the struggles of a doubting, supremely alienated protagonist in a world of relative values. Seminal work introduced moral, religious, political and social themes that dominated Dostoyevsky's later masterworks. Constance Garnett's authoritative translation is reprinted here, with a new introduction.

Originally published in 1866, Crime and Punishment is a psychological thriller that deals with issues of morality, conscience, and redemption. Widely considered to be one of the greatest novels written in any language, this novel explores the life of Rodin Raskolnikov, a young Russian man who robs and murders a pawnbroker to save himself from a life of poverty. As a consequence, he must deal with the oppressive mental anguish of being a criminal while attempting to maintain relationships with his friends and family.

'I am a sick person. I am a spiteful person. An unattractive person, too . . .' In the depths of a cellar in St. Petersburg, a retired civil servant spews forth a passionate and furious note on the ills of society. The underground man's manifesto reveals his erratic, self-contradictory and even sadistic nature. Yet Dostoyevsky's disturbing character causes an uncomfortable flicker of recognition, and we see in him our own human condition.

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality, colourful, tactile cloth with foil stamped into the design. Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat-and-mouse with Porfiry, a suspicious detective, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption. As the ensuing investigation and trial reveal the true identity of the murderer, Dostoyevsky's dark masterpiece evokes a world where the lines between innocence and corruption, good and evil, blur and everyone's faith in humanity is tested.

Fyodor Dostoyevsky's The Idiot is an immaculate portrait of innocence tainted by the brutal reality of human greed. This Penguin Classics edition is translated from the Russian by David McDuff, with an introduction by William Mills Todd III. Returning to St Petersburg from a Swiss sanatorium, the gentle and naive epileptic Prince Myshkin - the titular 'idiot' - pays a visit to his distant relative General Yepanchin and proceeds to charm the General, his wife, and his three daughters. But his life is thrown into turmoil when he chances on a photograph of the beautiful Nastasya Filippovna. Utterly infatuated with her, he soon finds himself caught up in a love triangle and drawn into a web of blackmail, betrayal, and finally, murder. Inspired by an image of Christ's suffering Dostoyevsky sought to portray in Prince Myshkin the purity of a 'truly beautiful soul' and explore the perils that innocence and goodness face in a corrupt world. David McDuff's new translation brilliantly captures the novel's idiosyncratic and dream-like language and the nervous, elliptic flow of the narrative. This edition also contains a new introduction by William Mills Todd III, which is a fascinating examination of the pressures on Dostoyevsky as he wrote the story of his Christ-like hero. Fyodor Mikhailovich Dostoyevsky (1821-1881) was born in Moscow. From 1849-54 he lived in a convict prison, and in later years his passion for gambling led him deeply into debt. His other works available in Penguin Classics include Crime & Punishment, The Idiot and Demons. If you enjoyed The Idiot, you might like Anton Chekhov's Ward No. 6 and Other Stories, also available in Penguin Classics. 'McDuff's language is rich and alive' The New York Times Book Review '[The Idiot's] ... narrative is so compelling' Rowan Williams, Archbishop of Canterbury

'That sense of the meaninglessness of existence that runs through much of twentieth-century writing - from Conrad and Kafka, to Beckett and beyond - starts in Dostoyevsky's work' Malcolm Bradbury Alienated from society and paralysed by a sense of his own insignificance, the anonymous narrator of Dostoyevsky's Notes from Underground tells the story of his tortured life. With bitter irony, he describes his refusal to become a worker in the 'anthill' and his gradual withdrawal from society. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in The Double when a government clerk encounters a man who looks exactly like him - his double perhaps, or possibly the darker side of his own personality. Like Notes from Underground, this is a masterly tragi-comic study of human consciousness. Translated by Ronald Wilks with an Introduction by Robert Louis Jackson

Showcasing Dostoyevsky's evolving outlook on man's fate, this collection presents his compelling works "White Nights, The Dream of a Ridiculous Man" and selections from "The House of the Dead." Original.

Demons, also known as The Possessed or The Devils, is a dark masterpiece that evokes a world where the lines between and good and evil long ago became blurred. This Penguin Classics edition of Fyodor Dostoyevsky's Demons is translated by Robert A. Maguire and edited by Ronald Meyer, with an introduction by Robert L. Belknap. Pyotr Verkhovensky and Nikolai Stavrogin are the leaders of a Russian revolutionary cell. Their aim is to overthrow the Tsar, destroy society and seize power for themselves. Together they train terrorists who are willing to go to any lengths to achieve their goals - even if the mission means suicide. But when it seems their motley group is about to be discovered, will their recruits be willing to kill one of their own circle in order to cover their tracks? As the ensuing investigation and trial reveal the true identity of the murderer, Dostoyevsky's and everyone's faith in humanity is tested. Partly based on the real-life case of a student murdered by his fellow revolutionaries, Dostoyevsky's sprawling novel is a powerful and prophetic, yet lively and often comic depiction of nineteenth-century Russia, and a savage indictment of the madness and nihilism of those who use violence to serve their beliefs. Robert A. Maguire's superb translation captures Dostoyevsky's vigorous prose. In his introduction, Robert L. Belknap discusses Dostoyevsky's own revolutionary activities, his narrative technique and use of different genres, and the background of Radicalism in Imperial Russia. Edited by Ronald Meyer, this volume also includes a chronology, further reading, notes and a glossary. Fyodor Mikhailovich Dostoyevsky (1821-1881) was born in Moscow. From 1849-54 he lived in a convict prison, and in later years his passion for gambling led him deeply into debt. His other works available in Penguin Classics include Crime & Punishment, The Idiot and Demons. If you enjoyed Demons, you might like Joris-Karl Huysmans' The Damned (La-Bas), also available in Penguin Classics.

Originally published in 1951, this book contains the stressed Russian text of Dostoyevsky's masterpiece Crime and Punishment. The Russian Edition of the Y.M.C.A. Press, Paris, is used as a basis for this edition. This book will be of use to students of the Russian Classics.

One of the world's greatest novels, Crime and Punishment is the story of a murder and its consequences--an unparalleled tale of suspense set in the midst of nineteenth-century Russia's troubled transition to the modern age.

In the slums of czarist St. Petersburg lives young Raskolnikov, a sensitive, intellectual student. The poverty he has always known drives him to believe that he is exempt from moral law. But when he puts this belief to the test and commits murder, there results unbearable suffering. Crime and punishment, the novel reminds us, "grow from the same seed."

"No other novelist," wrote Irving Howe of Dostoyevsky, "has dramatized so powerfully the values and dangers, the uses and corruptions of systematized thought." But Sigmund Freud and others saw the Russian's work in a different light. Said Freud, "He might have been a liberator of mankind. Instead he chose to be its jailer."

"He is the only psychologist I have anything to learn from."--Friedrich Nietzsche